Grimoin-Sanson’s Cineorama fuzes two media technologies to create a new experience: immersive cinema. The media-art-form of the early 19th century, invented by Louis-Jacques Mande Daguerre, the diorama – a circular building in which was hung a 360-degree painted canvas depicting views, great battles, etc – is combined with a very modern and recent 19th century invention, the cinematograph, in a bravado tour de force of new media experimentation worthy of the Paris World Exposition of 1900.
It is entirely appropriate that the new 20th century should be celebrated by a marriage of old and new media, and of course that the content of this new marriage should be the experience of flight. So three years before the first powered aeroplane flight, Raoul Grimoin-Sanson celebrates the experience of flying in this stimulation of a balloon-flight over Paris. Filmed using a set of synchronised 70 mm movie cameras, projected using a similarly synchronised set of 10 projectors, Cineorama provided the first taste of 20th century immersive entertainment.
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